Archive for the ‘Art: Watercolor’ Category

Happy Father’s Day

Sunday, June 20th, 2010
My own Superpop (perhaps with a little artistic license on the physique) with his new Father's Day grill. (And no, the flag is not on fire. It's behind the grill.)

My own Superpop (perhaps with a little artistic license on the physique) with his new Father's Day grill. (And no, the flag is not on fire. It's behind the grill.)

When it comes time for gift giving, why do fathers fall into a stereotype that they are hard to shop for? It is probably why the common Father’s Day gift is a tie because the kids don’t know what else to get the man who seems to not have a single need (not that he needs another tie, either). Plus, if your father is the primary breadwinner, all the money you have to spend is his anyway.  When you grow up into adults, you now have your own hard-earned money, but the need to find the perfect gift for Dad is still a challenge.

This year, I and my three adult siblings all faced this common dilemma, but we decided to attack it together. Mom and Dad moved out of our childhood home last July where they had a built-in grill. Now, that sounds more glamorous than it really was. The grill was there when they moved to that house in 1974. Usually you had to clear it of wasps, then you would turn on the gas and light the single burner with a match, put your meat on the one small rack inside hoping this time the rack didn’t fall down onto the lava stones, and it had a wooden shelf off the front that Dad made (and was now weather warped) so you had a spot to rest the plate. Highly unglamorous.

Since that utilitarian grill could not be taken to our parents’ new home, the folks have been grill-less for almost a year now. We banded our forces together for the cause of good to spring for a decent grill. Grills come in many sizes and varieties now, and the new house deserves to have some open flame and smoke out on the deck.

A week ago my sister gave our dad the money so that he can choose a grill he’d like. All is now right and good in the land, so long as a fire extinguisher is close at hand.

To all you fathers out there, Happy Father’s Day. Especially to mine.

John Debney IS Iron Man

Monday, May 10th, 2010

If you are a regular reader of my blog, you know that I have a great interest in film music. I grew up in a musical family, but while my siblings were off having lessons and practicing their instruments, I sat at my little drawing board practicing my skills with pencil and brush. I think the first soundtrack I ever bought was John Williams’ Raiders of the Lost Ark on cassette tape when I was in high school. The collection has grown over the years, and is all CDs these days.

Back in 1995 I first became aware of composer, John Debney. He wrote a brilliant score for the less than brilliant movie Cutthroat Island, and it remains one of my favorites of his to this day. First impressions are lasting I guess. I got to meet John years later when I worked on The Emperor’s New Groove at Disney. John is really wonderful with comedy scores, and his work on that film really injected something special into the storytelling.

Well, this past weekend John’s latest work was heard by the many ticket holders who caused Iron Man 2 to bring in almost $134 million in the United States. The score won’t be available for purchase until July 7th from what I hear, and I, for one, can’t wait. So much so, I felt inspired to do a little piece this weekend.

Breaking out the watercolor paint and colored pencils, I present to you this caricature of John Debney as Iron Man (click on the image to enlarge it):

Iron Man Debney imparting some musical justice.

Iron Man Debney imparting some musical justice.

So, if you are the casual film music fan and aren’t aware of some of John’s work, here are a few scores I’d recommend you start with before enjoying the rest of his oeuvre:

  • Cutthroat Island
  • The Passion of the Christ
  • Liar Liar
  • Elf
  • Dreamer
  • Zathura
  • The Stoning of Soraya M.

To see a larger list of John’s filmography, you can CLICK HERE!

Captain Hook & Smee – Part 2

Thursday, May 6th, 2010

A couple of days ago I shared with you the step-by-steps of a little piece I did of Disney’s Captain Hook with a caricature of yours truly in the place of Hook’s first mate Mr. Smee (CLICK HERE to see that post). When I created that little watercolor sketch this past winter, it was only one of two pieces on that theme. While that was a close-up, perhaps you’d like to see the second piece, this time full-bodied poses.

Since I went into some detail on each step in the last post, I’ll post these three stages with minimal comment and just let you enjoy the visual progression. So, without further ado, Captain Hook and Chad Frye as Mr. Smee! Peter Pan would certainly not be the same movie had it been done this way!

This is a colored pencil line drawing on nice textured watercolor paper.

This is a colored pencil line drawing on nice textured watercolor paper.

The purple watercolor paint will take care of all the shading in the painting.

The purple watercolor paint will take care of all the shading in the painting.

And here is the final Capt. Hook with Mr. Shmad - or is it Mr. Chee? Well, while "Chad" and "Smee" don't mix well verbally, pictorially they go together fine.

And here is the final Capt. Hook with Mr. Shmad - or is it Mr. Chee? Well, while "Chad" and "Smee" don't mix well verbally, pictorially they go together fine.

Captain Hook & Smee – Part 1

Tuesday, May 4th, 2010

I thought I’d share with you a couple of paintings I did this past winter. I got into a Disney’s  Peter Pan mode of thinking and envisioned myself as Captain Hook’s first mate, Smee.

Well, while they are technically paintings, I tend to call these “watercolor sketches”. Each of these took maybe an hour or two to do from start to finish, so they aren’t my typical full-blown watercolor illustrations. This is what I do if I’m making a card for a friend, or doing quickie pieces for fans. There is a certain spontaneity to them that gives them a real energy. Everything is fast and loose and hopefully pure fun.

I’d like to show them to you step-by-step, which is something I haven’t done in awhile. Since there will be a few images for each, I’ll show you one of these today, and I’ll post the second one on Thursday.

So, as with any art I do, it all starts with a rough sketch. I don’t have to please anyone but myself, so it can be as rough as I want it to be. As you can see, the rough sketch for this one started with blue pencil, then I finalized my lines with regular lead. Captain Hook is always fun to draw, and it just seemed with my own body type that I was a shoo-in for Smee.

Hook_Frye_Smee1a

This is the initial rough sketch of the pirates!

Next, I took that rough and put it on my light table and created my final line with colored pencil onto a rough textured watercolor paper. I didn’t want to get too tight with the drawing, so you can see even in this phase the line work is sketchy in places, and not all the shapes are closed.

This is the final pencil line drawing of Capt. Hook and Chad Smee.

This is the final pencil line drawing of Capt. Hook and Chad Smee.

Next will be the tones. I often like putting the tones in purple. It looks nice when working with bright colors, which I will be for this piece. The purple seems too bright and dark right now, but later when the final paint is placed on top of it, the purple will get muted a little, and even somewhat blend in to the wet medium. And so that all my shadows don’t have a hard edge, I was careful to have it fade off in certain places like on Captain Hook’s face, and even his hat.

Hook and "Smee" get the purple tone treatment in watercolor.

Hook and "Smee" get the purple tone treatment in watercolor.

Then lastly, I painted in the final colors. You can see that some of the purple shadows got absorbed into the final colors, while in other areas it served as an enhancement. Then I ended with flicking some blue specks on with a toothbrush (preferably NOT the one you brush your teeth with).

The final piece bringing Hook and "Smee" to life.

The final piece bringing Hook and "Smee" to life.

Come back on Thursday to see the second Captain Hook and Chee (or is it Shmad – thanks to my friend Jennifer Hobson-Plattner for the name) full-bodied watercolor sketch!

…From the Flat File: 1999 – Disney’s Southside

Thursday, March 4th, 2010

Back in 1999, I was working for Disney Feature Animation. Tarzan had recently come out to great success, and the studio was busy with more films such as Home on the Range, Atlantis, The Emperor’s New Groove, Fantasia 2000, Dinosaur, and the ultimately unproduced Wild Life. So much was going on, and it was a swell place to be employed.

In my early days as an illustrator, I did a few “Where’s Waldo” style books about the Bible. I thought, “wouldn’t it be neat to do a ‘Where’s Waldo’-type painting of the main Feature Animation building?” I just wanted to capture a snapshot of the whole place – kind of a day-in-the-life sort of thing. So, I set out to work on this self-induced project, little knowing that it would take up four solid months of nights and weekends to pull off.

The completed Disney Feature Animation Southside "Where's Waldo" style print featuring over 800 employees and characters.

The completed Disney Feature Animation Southside "Where's Waldo" style print featuring over 800 employees and characters.

To start with, I was able to acquire maps of each floor of the Disney Animation Southside building (the “hat” building) in Burbank, CA. (We had another 4-story building over by the Burbank airport called “Northside” where Fantasia 2000, Dinosaur, and visual effects for live-action movies were being done.) These floor maps were great because they outlined every cubical and office with the names of each employee who worked in that space.

Secondly, I needed to know what everyone looked like. Sure, I worked with these folks, but I don’t have a photographic memory. They had an online database used internally called TIMMY where you could type in any animation employee’s name, and their photo and a short profile would pop up. I printed out many such profiles for reference.

A detail of the top right corner. Originally I had "Disney" above that title, but that was the one thing the Disney lawyers would not allow for the print since it wasn't published by the company.

A detail of the top right corner. Originally I had "Disney" above that title, but that was the one thing the Disney lawyers would not allow for the print since it wasn't published by the company.

To illustrate four floors, and the 800+ people who worked in the building, the original art had to be large. I worked on a 30″ x 40″ piece of illustration board, painstakingly pencilling the entire piece, then inking it all with Rapidograph pens and waterproof ink, then painting in every little detail. It was so large that I often laid it on the floor and worked on it there. And it took so long that I even shipped it to myself on vacation so I could work on it then, too. Why? Because I had a deadline.

The studio would allow employees to sign up for personal art shows. The waiting list was two years, but I knew mine was coming up. I wanted to do this for the show knowing it would be well-received by my colleagues. It got finished in time, and was displayed with four 11″ x 17″ charts of each face with the employee’s name next to it so they could see what they looked like, then go find themselves in the painting. It went over so well that many asked for copies.

Details like Marc & Alice Davis giving a talk in the theater, Mickey Mouse entering with his security team, and even Eartha Kitt signing in at the receptionist's desk.

Details like Marc & Alice Davis giving a talk in the theater, Mickey Mouse entering with his security team, and even Eartha Kitt signing in at the receptionist's desk.

Roy Disney standing in his "show office" in the Hat, and the area where many of the supervising animators worked.

Roy Disney standing in his "show office" in the Hat, and the area where many of the supervising animators worked.

The piano room shows a moment with John Lasseter and Randy Newman. At the time, John and other Pixar folk would come down to the studio for meetings. Now, of course, John runs the joint.

The piano room shows a moment with John Lasseter and Randy Newman. At the time, John and other Pixar folk would come down to the studio for meetings. Now, of course, John runs the joint.

So, after getting permission from Disney’s lawyers, I had 27″ x 40″ prints made and sold them at the studio complete with a 10-page list of who was in it and a Certificate of Authenticity. Many people purchased them, and seemed to enjoy them. The ultimate compliment came when one day I had cause to go visit Roy E. Disney at his office on the lot. Roy’s office was in the old office suite of his uncle Walt. As I started down his hallway, there was a poster for Pinocchio, one for Fantasia 2000, and then this one.

I recently donated one of these limited edition prints (#153 of 850) to the Help the Hodges charity art auction run by the National Cartoonists Society Foundation (NCSF). It has gone live on eBay TODAY, and will be available for bids until March 14, 2010. If you are interested in going for it here is a link to the auction:  Chad Frye’s Disney Southside Print


The lower right corner shows a cryogenically frozen Walt Disney. My office was right next door to that room. I always heard mechanical sounds and steam hissing from in there, and imagined this scene. (Walt is actually buried in Glendale, CA by the way.)

The lower right corner shows a cryogenically frozen Walt Disney. My office was right next door to that room. I always heard mechanical sounds and steam hissing from in there, and imagined this scene. (Walt is actually buried in Glendale, CA by the way.)

This is the cover of the 10-page list that comes with the poster. Each colleague's head is listed with their name next to it for identification purposes in the large print.

This is the cover of the 10-page list that comes with the poster. Each colleague's head is listed with their name next to it for identification purposes in the large print.

The COA is hand-numbered and signed to match the print.

The COA is hand-numbered and signed to match the print.


Mickey Mouse art on eBay for Charity

Friday, January 29th, 2010

If you haven’t visited the Help the Hodges auctions on eBay yet, yesterday I posted another 71 reasons you should check it out. We currently have 122 items of original cartoon art, fine art, prints, posters, sculptures and books all for sale to help the family of Matthew Hodge, the teen who is presently in a coma from a car accident with a train in the Franklin, Tennesse area.

Yesterday’s posts include art by the great movie poster illustrator Drew Struzan, Wallace & Gromit creator Nick Park, Lilo & Stitch creator Chris Sanders, Glen Keane animation art, drawings from Princess & the Frog animators, so much art from former Disney artists, and even art from classic Disney films including a Mickey Mouse drawing by Frank Thomas, one of Disney’s Nine Old Men.

Towards the end of the Mickey art is a painting I did based on when I worked on Mickey Mouse Clubhouse.  So, if you’ve been itchin’ for something by me, CLICK HERE to go right to the piece on eBay!

To see all the art Help the Hodges has on eBay, CLICK HERE!

This painting will be available on eBay until February 7th.

This painting will be available on eBay until February 7th.

YOU CAN CONTINUE TO PREVIEW PREVIOUS POSTS AND NEW ART THAT WILL BE POSTED ON EBAY ON FEBRUARY 4TH ON HelpTheHodges.COM!

Merry Christmas 2009!

Friday, December 18th, 2009

Every year as December arrives, I sit and think back on the last eleven months and wonder where the time went.  It has been a rather interesting year in 2009 with much of the country trying to make sense of the economy, our government is still engaged in war, there has been a lot of talk about nationalized health care, and the housing crisis has affected many friends and neighbors.  The hustle and bustle of life keeps us busy, even through the Christmas season – all the goings to and fro, back and forth, here and there – it can be easy to forget why we even have this holiday.

This year, my Christmas card deals with just that.  Despite the distractions of national and world events, or of the myriad of advertising from retailers all trying to solve their financial problems through you, you need to clear your way through the clutter and stop to remember that Christmas celebrates that day when God came to earth in the form of a man to offer a way for our souls to find peace in what really matters – eternal life through Him.

May you and yours have a truly blessed Christmas.

Christmas_Card09a

MONSTER MONTH: Day 30 – Opposites Attract

Friday, October 30th, 2009

LOVE is a strange and wondrous thing. When one looks for that special person, they have an idea of what it is that they want, but there is always that single undefinable quality that just smacks them like a ton of bricks when two like-minded souls find each other. What these two have must be very special, and certainly something that only they can understand.

Xanquerd and Zorp, sittin' in a tree, K-I-S-S-I-N-G....

Xanquerd and Zorp, sittin' in a tree, K-I-S-S-I-N-G....

Come back again tomorrow on HALLOWEEN to see the grand finalè post in 2009’s MONSTER MONTH!