Archive for the ‘Caricature’ Category

Happy Father’s Day

Sunday, June 20th, 2010
My own Superpop (perhaps with a little artistic license on the physique) with his new Father's Day grill. (And no, the flag is not on fire. It's behind the grill.)

My own Superpop (perhaps with a little artistic license on the physique) with his new Father's Day grill. (And no, the flag is not on fire. It's behind the grill.)

When it comes time for gift giving, why do fathers fall into a stereotype that they are hard to shop for? It is probably why the common Father’s Day gift is a tie because the kids don’t know what else to get the man who seems to not have a single need (not that he needs another tie, either). Plus, if your father is the primary breadwinner, all the money you have to spend is his anyway.  When you grow up into adults, you now have your own hard-earned money, but the need to find the perfect gift for Dad is still a challenge.

This year, I and my three adult siblings all faced this common dilemma, but we decided to attack it together. Mom and Dad moved out of our childhood home last July where they had a built-in grill. Now, that sounds more glamorous than it really was. The grill was there when they moved to that house in 1974. Usually you had to clear it of wasps, then you would turn on the gas and light the single burner with a match, put your meat on the one small rack inside hoping this time the rack didn’t fall down onto the lava stones, and it had a wooden shelf off the front that Dad made (and was now weather warped) so you had a spot to rest the plate. Highly unglamorous.

Since that utilitarian grill could not be taken to our parents’ new home, the folks have been grill-less for almost a year now. We banded our forces together for the cause of good to spring for a decent grill. Grills come in many sizes and varieties now, and the new house deserves to have some open flame and smoke out on the deck.

A week ago my sister gave our dad the money so that he can choose a grill he’d like. All is now right and good in the land, so long as a fire extinguisher is close at hand.

To all you fathers out there, Happy Father’s Day. Especially to mine.

John Debney IS Iron Man

Monday, May 10th, 2010

If you are a regular reader of my blog, you know that I have a great interest in film music. I grew up in a musical family, but while my siblings were off having lessons and practicing their instruments, I sat at my little drawing board practicing my skills with pencil and brush. I think the first soundtrack I ever bought was John Williams’ Raiders of the Lost Ark on cassette tape when I was in high school. The collection has grown over the years, and is all CDs these days.

Back in 1995 I first became aware of composer, John Debney. He wrote a brilliant score for the less than brilliant movie Cutthroat Island, and it remains one of my favorites of his to this day. First impressions are lasting I guess. I got to meet John years later when I worked on The Emperor’s New Groove at Disney. John is really wonderful with comedy scores, and his work on that film really injected something special into the storytelling.

Well, this past weekend John’s latest work was heard by the many ticket holders who caused Iron Man 2 to bring in almost $134 million in the United States. The score won’t be available for purchase until July 7th from what I hear, and I, for one, can’t wait. So much so, I felt inspired to do a little piece this weekend.

Breaking out the watercolor paint and colored pencils, I present to you this caricature of John Debney as Iron Man (click on the image to enlarge it):

Iron Man Debney imparting some musical justice.

Iron Man Debney imparting some musical justice.

So, if you are the casual film music fan and aren’t aware of some of John’s work, here are a few scores I’d recommend you start with before enjoying the rest of his oeuvre:

  • Cutthroat Island
  • The Passion of the Christ
  • Liar Liar
  • Elf
  • Dreamer
  • Zathura
  • The Stoning of Soraya M.

To see a larger list of John’s filmography, you can CLICK HERE!

Captain Hook & Smee – Part 2

Thursday, May 6th, 2010

A couple of days ago I shared with you the step-by-steps of a little piece I did of Disney’s Captain Hook with a caricature of yours truly in the place of Hook’s first mate Mr. Smee (CLICK HERE to see that post). When I created that little watercolor sketch this past winter, it was only one of two pieces on that theme. While that was a close-up, perhaps you’d like to see the second piece, this time full-bodied poses.

Since I went into some detail on each step in the last post, I’ll post these three stages with minimal comment and just let you enjoy the visual progression. So, without further ado, Captain Hook and Chad Frye as Mr. Smee! Peter Pan would certainly not be the same movie had it been done this way!

This is a colored pencil line drawing on nice textured watercolor paper.

This is a colored pencil line drawing on nice textured watercolor paper.

The purple watercolor paint will take care of all the shading in the painting.

The purple watercolor paint will take care of all the shading in the painting.

And here is the final Capt. Hook with Mr. Shmad - or is it Mr. Chee? Well, while "Chad" and "Smee" don't mix well verbally, pictorially they go together fine.

And here is the final Capt. Hook with Mr. Shmad - or is it Mr. Chee? Well, while "Chad" and "Smee" don't mix well verbally, pictorially they go together fine.

Captain Hook & Smee – Part 1

Tuesday, May 4th, 2010

I thought I’d share with you a couple of paintings I did this past winter. I got into a Disney’s  Peter Pan mode of thinking and envisioned myself as Captain Hook’s first mate, Smee.

Well, while they are technically paintings, I tend to call these “watercolor sketches”. Each of these took maybe an hour or two to do from start to finish, so they aren’t my typical full-blown watercolor illustrations. This is what I do if I’m making a card for a friend, or doing quickie pieces for fans. There is a certain spontaneity to them that gives them a real energy. Everything is fast and loose and hopefully pure fun.

I’d like to show them to you step-by-step, which is something I haven’t done in awhile. Since there will be a few images for each, I’ll show you one of these today, and I’ll post the second one on Thursday.

So, as with any art I do, it all starts with a rough sketch. I don’t have to please anyone but myself, so it can be as rough as I want it to be. As you can see, the rough sketch for this one started with blue pencil, then I finalized my lines with regular lead. Captain Hook is always fun to draw, and it just seemed with my own body type that I was a shoo-in for Smee.

Hook_Frye_Smee1a

This is the initial rough sketch of the pirates!

Next, I took that rough and put it on my light table and created my final line with colored pencil onto a rough textured watercolor paper. I didn’t want to get too tight with the drawing, so you can see even in this phase the line work is sketchy in places, and not all the shapes are closed.

This is the final pencil line drawing of Capt. Hook and Chad Smee.

This is the final pencil line drawing of Capt. Hook and Chad Smee.

Next will be the tones. I often like putting the tones in purple. It looks nice when working with bright colors, which I will be for this piece. The purple seems too bright and dark right now, but later when the final paint is placed on top of it, the purple will get muted a little, and even somewhat blend in to the wet medium. And so that all my shadows don’t have a hard edge, I was careful to have it fade off in certain places like on Captain Hook’s face, and even his hat.

Hook and "Smee" get the purple tone treatment in watercolor.

Hook and "Smee" get the purple tone treatment in watercolor.

Then lastly, I painted in the final colors. You can see that some of the purple shadows got absorbed into the final colors, while in other areas it served as an enhancement. Then I ended with flicking some blue specks on with a toothbrush (preferably NOT the one you brush your teeth with).

The final piece bringing Hook and "Smee" to life.

The final piece bringing Hook and "Smee" to life.

Come back on Thursday to see the second Captain Hook and Chee (or is it Shmad – thanks to my friend Jennifer Hobson-Plattner for the name) full-bodied watercolor sketch!

…From the Flat File: 1999 – Disney’s Southside

Thursday, March 4th, 2010

Back in 1999, I was working for Disney Feature Animation. Tarzan had recently come out to great success, and the studio was busy with more films such as Home on the Range, Atlantis, The Emperor’s New Groove, Fantasia 2000, Dinosaur, and the ultimately unproduced Wild Life. So much was going on, and it was a swell place to be employed.

In my early days as an illustrator, I did a few “Where’s Waldo” style books about the Bible. I thought, “wouldn’t it be neat to do a ‘Where’s Waldo’-type painting of the main Feature Animation building?” I just wanted to capture a snapshot of the whole place – kind of a day-in-the-life sort of thing. So, I set out to work on this self-induced project, little knowing that it would take up four solid months of nights and weekends to pull off.

The completed Disney Feature Animation Southside "Where's Waldo" style print featuring over 800 employees and characters.

The completed Disney Feature Animation Southside "Where's Waldo" style print featuring over 800 employees and characters.

To start with, I was able to acquire maps of each floor of the Disney Animation Southside building (the “hat” building) in Burbank, CA. (We had another 4-story building over by the Burbank airport called “Northside” where Fantasia 2000, Dinosaur, and visual effects for live-action movies were being done.) These floor maps were great because they outlined every cubical and office with the names of each employee who worked in that space.

Secondly, I needed to know what everyone looked like. Sure, I worked with these folks, but I don’t have a photographic memory. They had an online database used internally called TIMMY where you could type in any animation employee’s name, and their photo and a short profile would pop up. I printed out many such profiles for reference.

A detail of the top right corner. Originally I had "Disney" above that title, but that was the one thing the Disney lawyers would not allow for the print since it wasn't published by the company.

A detail of the top right corner. Originally I had "Disney" above that title, but that was the one thing the Disney lawyers would not allow for the print since it wasn't published by the company.

To illustrate four floors, and the 800+ people who worked in the building, the original art had to be large. I worked on a 30″ x 40″ piece of illustration board, painstakingly pencilling the entire piece, then inking it all with Rapidograph pens and waterproof ink, then painting in every little detail. It was so large that I often laid it on the floor and worked on it there. And it took so long that I even shipped it to myself on vacation so I could work on it then, too. Why? Because I had a deadline.

The studio would allow employees to sign up for personal art shows. The waiting list was two years, but I knew mine was coming up. I wanted to do this for the show knowing it would be well-received by my colleagues. It got finished in time, and was displayed with four 11″ x 17″ charts of each face with the employee’s name next to it so they could see what they looked like, then go find themselves in the painting. It went over so well that many asked for copies.

Details like Marc & Alice Davis giving a talk in the theater, Mickey Mouse entering with his security team, and even Eartha Kitt signing in at the receptionist's desk.

Details like Marc & Alice Davis giving a talk in the theater, Mickey Mouse entering with his security team, and even Eartha Kitt signing in at the receptionist's desk.

Roy Disney standing in his "show office" in the Hat, and the area where many of the supervising animators worked.

Roy Disney standing in his "show office" in the Hat, and the area where many of the supervising animators worked.

The piano room shows a moment with John Lasseter and Randy Newman. At the time, John and other Pixar folk would come down to the studio for meetings. Now, of course, John runs the joint.

The piano room shows a moment with John Lasseter and Randy Newman. At the time, John and other Pixar folk would come down to the studio for meetings. Now, of course, John runs the joint.

So, after getting permission from Disney’s lawyers, I had 27″ x 40″ prints made and sold them at the studio complete with a 10-page list of who was in it and a Certificate of Authenticity. Many people purchased them, and seemed to enjoy them. The ultimate compliment came when one day I had cause to go visit Roy E. Disney at his office on the lot. Roy’s office was in the old office suite of his uncle Walt. As I started down his hallway, there was a poster for Pinocchio, one for Fantasia 2000, and then this one.

I recently donated one of these limited edition prints (#153 of 850) to the Help the Hodges charity art auction run by the National Cartoonists Society Foundation (NCSF). It has gone live on eBay TODAY, and will be available for bids until March 14, 2010. If you are interested in going for it here is a link to the auction:  Chad Frye’s Disney Southside Print


The lower right corner shows a cryogenically frozen Walt Disney. My office was right next door to that room. I always heard mechanical sounds and steam hissing from in there, and imagined this scene. (Walt is actually buried in Glendale, CA by the way.)

The lower right corner shows a cryogenically frozen Walt Disney. My office was right next door to that room. I always heard mechanical sounds and steam hissing from in there, and imagined this scene. (Walt is actually buried in Glendale, CA by the way.)

This is the cover of the 10-page list that comes with the poster. Each colleague's head is listed with their name next to it for identification purposes in the large print.

This is the cover of the 10-page list that comes with the poster. Each colleague's head is listed with their name next to it for identification purposes in the large print.

The COA is hand-numbered and signed to match the print.

The COA is hand-numbered and signed to match the print.


It Came From Philadelphia

Wednesday, January 6th, 2010

Well, the holidays are over, which means most everyone’s traveling is done, too. The holidays wouldn’t be so bad if you didn’t have to board a plane every time you wanted to gather around the ol’ yule log with your family. Over the river and through the woods is an enviable journey compared to dealing with weather-related flight cancellations and missed connections.

Well, this year Christmas was in a new place for the Fryes. Mom and Dad sold the family home of thirty-five years, and moved to a brand new house built on farmland in Delaware. And I chose to fly the weekend of the worst storm they’ve had there in decades.  So, three days later I landed in Philadelphia to two feet of snow on the ground. Some storm.

Of course, to kill time in the various airports, I enjoy taking along my sketchbook.  Thought I’d share with you just a few of the creatures one encounters in airports these days. Winter passengers are so much more fun to draw with being all bundled up carrying their burdensome Christmas bundles.  See for yourself:

Beware the neck creature of Philadelphia!

Beware the neck creature of Philadelphia!

When I fly, I love flying out of the Burbank, CA Bob Hope Airport.  Bob didn’t build it, though I wouldn’t be surprised if he had originally owned the land on which it was built – you know, after CA was taken away from Mexico I mean.  I like this airport because of its convenient three-mile distance from my home.  Plus, you never know who you’ll see there.  This is Hollywood after all.  Good ol’ Bob did not disappoint.

Traveling on my first flight from Burbank to Salt Lake City was actress Nancy Travis who has been in lots of movies like 3 Men and a Baby, Ted Danson’s show Becker, and most recently The Bill Engvall Show.  Also on the plane was actress Ellen Crawford who played Nurse Lydia Wright on ER for its entire run.  She had such an interesting face, that I tried to draw my version of her in the waiting area.  The trick in this is to not get caught doing it.  Success!

At the top is a quick caricature of actress Ellen Crawford, and at the bottom is a lady who offered to leave the plane when they told us we were overweight. No joke.

At the top is a quick caricature of actress Ellen Crawford, and at the bottom is a lady who offered to leave the plane when they told us we were overweight. No joke.

Now, you would think that after the outbound trip having a three-day delay would insure that my return voyage would be uninterrupted. You would be wrong. Never book a connection through Salt Lake City in the wintertime or you may spend the night there. You can’t blame me, really. My only other option was Denver. At least the people are interesting, and the fresh snow on the Salt Lake mountains is beautiful. Here’s one last traveler that could not evade my pencil.

Just imagine this traveler speaking only German and it's as if you saw him, too!

Just imagine this traveler speaking only German and it's as if you saw him, too!

MONSTER MONTH: Day 1 – Frankenchad

Thursday, October 1st, 2009

Welcome to the FIRST DAY of Monster Month here on the Chad Frye • Illustration Guy blog!

To kick off the party, the monster of the day today is none other than ME – looking all festive for a Monster Bash, wouldn’t you say? Well, at the least, it seemed only fair that I set the example to all the monsters to follow in the days to come.

Chad Frye's self-portrait to kick off "Monster Month". (Click on image to enlarge it.)

Chad Frye's self-portrait to kick off "Monster Month". (Click on image to enlarge it.)

“Why monsters?” you ask? Earlier this year I got caught up in creating an illustratiton of Frankenstein’s monster in a Mona Lisa setting, and I just caught the bug. Ever since then I’ve been doodling monsters. If you click on the Monsters category on the blog home page, you’ll be able to see other monsters that currently reside on the blog.

So for now, strap yourselves in, and get ready as we unwrap a fun month of hairy beasts and creepy eyes! Hope you enjoy them as much as I did drawing them!

Drawn & Quoted: The Eagle Scout

Thursday, June 4th, 2009

“The one effective method of defending one’s own territory from an offensive by air is to destroy the enemy’s air power with the greatest possible speed.”

- Italian General Giulio Douhet (1869-1930)

 

Boy Scout Sean Sturrock being proudly promoted to the rank of Eagle Scout.

Boy Scout Sean Sturrock being proudly promoted to the rank of Eagle Scout.

 

Well, this is the first time Drawn & Quoted has featured a full color sketch. It is actually a piece I did as a gift for a friend this past week. Sean Sturrock is a teenager I know who was just inducted into the rank of Eagle Scout with the Boy Scouts last Saturday. I have been friends with his parents, Beth and Walt Sturrock for twenty years. It has been neat to see Sean go from birth to Eagle Scout. Of course, as a long-term friend, it was my obligation to poke a little fun at his fantastic achievement! Congratulations to Sean, and to his family including sister, Emily!