Archive for the ‘Flat File Archives’ Category

…From the Flat File: 2004 – Oshikuru Comics

Friday, March 19th, 2010

A few years back I was asked to draw a fake comic book cover to be used on CBS sitcom Two and a Half Men. In television, deadlines are tight, so I pretty much turned around that first image in a couple of days which is no small fete considering I wasn’t up on my Manga techniques. They liked it so much they asked for two more. It was a busy few days to be sure.

At any rate, the episode turned out to be memorable for fans of the show. It involved a subplot with Charlie Sheen’s character needing to write a theme song for an animated TV show based on these Oshikuru comic books. I’m including some clips down at the bottom of the Oshikuru moments where you can see my comics in the shots, and a couple of stills.

As you may know if you have read recent blog posts, I have been involved with raising money to Help the Hodges via online eBay auctions. You can read all about the family in need by CLICKING HERE. But I mention it again here because I have donated some really nice large prints of two of my Oshikuru covers that have been autographed by the 2 1/2 men of Two and a Half MenCharlie Sheen, Jon Cryer, and Angus Jones. These items are on eBay RIGHT NOW, and will end this Sunday, March 21.

So, if you’d like a chance at an unusual item from my flat files, and autographed by a few TV stars, here’s your window of opportunity. I posted links to eBay below each signed print below!

Charlie Sheen signed it at the top, Jon Cryer in the lower left, and Angus Jones on the right.

Charlie Sheen signed it at the top, Jon Cryer in the lower right, and Angus Jones on the left.

CLICK HERE TO SEE THE ABOVE ART ON EBAY.


I always liked this one. There was no reason for the action other than I wanted them to battle charging robots.

I always liked this one. There was no reason for the action other than I wanted them to battle charging robots.

CLICK HERE TO SEE THE ABOVE ART ON EBAY.


Angus T. Jones looking at an Oshikuru comic on the set of "Two and a Half Men".

Angus T. Jones looking at an "Oshikuru" comic on the set of "Two and a Half Men".

Jake and Uncle Charlie high fiving each other while working on the "Oshikuru" theme song. Some comics sit on top of the piano.

Jake and Uncle Charlie high fiving each other while working on the "Oshikuru" theme song. Some comics sit on top of the piano.

…From the Flat File: 1999 – Disney’s Southside

Thursday, March 4th, 2010

Back in 1999, I was working for Disney Feature Animation. Tarzan had recently come out to great success, and the studio was busy with more films such as Home on the Range, Atlantis, The Emperor’s New Groove, Fantasia 2000, Dinosaur, and the ultimately unproduced Wild Life. So much was going on, and it was a swell place to be employed.

In my early days as an illustrator, I did a few “Where’s Waldo” style books about the Bible. I thought, “wouldn’t it be neat to do a ‘Where’s Waldo’-type painting of the main Feature Animation building?” I just wanted to capture a snapshot of the whole place – kind of a day-in-the-life sort of thing. So, I set out to work on this self-induced project, little knowing that it would take up four solid months of nights and weekends to pull off.

The completed Disney Feature Animation Southside "Where's Waldo" style print featuring over 800 employees and characters.

The completed Disney Feature Animation Southside "Where's Waldo" style print featuring over 800 employees and characters.

To start with, I was able to acquire maps of each floor of the Disney Animation Southside building (the “hat” building) in Burbank, CA. (We had another 4-story building over by the Burbank airport called “Northside” where Fantasia 2000, Dinosaur, and visual effects for live-action movies were being done.) These floor maps were great because they outlined every cubical and office with the names of each employee who worked in that space.

Secondly, I needed to know what everyone looked like. Sure, I worked with these folks, but I don’t have a photographic memory. They had an online database used internally called TIMMY where you could type in any animation employee’s name, and their photo and a short profile would pop up. I printed out many such profiles for reference.

A detail of the top right corner. Originally I had "Disney" above that title, but that was the one thing the Disney lawyers would not allow for the print since it wasn't published by the company.

A detail of the top right corner. Originally I had "Disney" above that title, but that was the one thing the Disney lawyers would not allow for the print since it wasn't published by the company.

To illustrate four floors, and the 800+ people who worked in the building, the original art had to be large. I worked on a 30″ x 40″ piece of illustration board, painstakingly pencilling the entire piece, then inking it all with Rapidograph pens and waterproof ink, then painting in every little detail. It was so large that I often laid it on the floor and worked on it there. And it took so long that I even shipped it to myself on vacation so I could work on it then, too. Why? Because I had a deadline.

The studio would allow employees to sign up for personal art shows. The waiting list was two years, but I knew mine was coming up. I wanted to do this for the show knowing it would be well-received by my colleagues. It got finished in time, and was displayed with four 11″ x 17″ charts of each face with the employee’s name next to it so they could see what they looked like, then go find themselves in the painting. It went over so well that many asked for copies.

Details like Marc & Alice Davis giving a talk in the theater, Mickey Mouse entering with his security team, and even Eartha Kitt signing in at the receptionist's desk.

Details like Marc & Alice Davis giving a talk in the theater, Mickey Mouse entering with his security team, and even Eartha Kitt signing in at the receptionist's desk.

Roy Disney standing in his "show office" in the Hat, and the area where many of the supervising animators worked.

Roy Disney standing in his "show office" in the Hat, and the area where many of the supervising animators worked.

The piano room shows a moment with John Lasseter and Randy Newman. At the time, John and other Pixar folk would come down to the studio for meetings. Now, of course, John runs the joint.

The piano room shows a moment with John Lasseter and Randy Newman. At the time, John and other Pixar folk would come down to the studio for meetings. Now, of course, John runs the joint.

So, after getting permission from Disney’s lawyers, I had 27″ x 40″ prints made and sold them at the studio complete with a 10-page list of who was in it and a Certificate of Authenticity. Many people purchased them, and seemed to enjoy them. The ultimate compliment came when one day I had cause to go visit Roy E. Disney at his office on the lot. Roy’s office was in the old office suite of his uncle Walt. As I started down his hallway, there was a poster for Pinocchio, one for Fantasia 2000, and then this one.

I recently donated one of these limited edition prints (#153 of 850) to the Help the Hodges charity art auction run by the National Cartoonists Society Foundation (NCSF). It has gone live on eBay TODAY, and will be available for bids until March 14, 2010. If you are interested in going for it here is a link to the auction:  Chad Frye’s Disney Southside Print


The lower right corner shows a cryogenically frozen Walt Disney. My office was right next door to that room. I always heard mechanical sounds and steam hissing from in there, and imagined this scene. (Walt is actually buried in Glendale, CA by the way.)

The lower right corner shows a cryogenically frozen Walt Disney. My office was right next door to that room. I always heard mechanical sounds and steam hissing from in there, and imagined this scene. (Walt is actually buried in Glendale, CA by the way.)

This is the cover of the 10-page list that comes with the poster. Each colleague's head is listed with their name next to it for identification purposes in the large print.

This is the cover of the 10-page list that comes with the poster. Each colleague's head is listed with their name next to it for identification purposes in the large print.

The COA is hand-numbered and signed to match the print.

The COA is hand-numbered and signed to match the print.


…From the Flat File: 1995 – NBC’s ER

Sunday, March 29th, 2009

Well, since last fall, NBC has not let up on reminding me that this is ER’s final season. Every week since, there have been ads promising “an episode you can’t miss!” I’ve missed every one of them.

The show was enjoyable when it first started back in the fall of 1994. I watched for a few seasons completely fascinated by the intense medical drama they portrayed. But the show flatlined for me over a decade ago when it slipped down the slope of soap opera land. 

This is a musty Must See TV ink and gouache illustration from the Illustration Guy Archives drawn during the second season of ER in 1995. Thought it should be trotted out as NBC mourns the death of their show this Thursday. I was out of college for only a year, and was trying to drum up caricature work while living in South Carolina. It turned out okay for what I was capable of at the time. I loved putting all the silly stuff on the shelves in the background.

 

Christine Elise, Noah Wylie, George Clooney, Anthony Edwards, Eriq La Salle, Sherry Stringfield & Julianna Margulies

Christine Elise, Noah Wylie, George Clooney, Anthony Edwards, Eriq La Salle, Sherry Stringfield & Julianna Margulies

 

That second season of ER they introduced Christine Elise (in case you are wondering who that first blonde is). She was introduced as a love interest for Noah Wylie, even having a part in the opening credits, so I thought she’d last. Turns out she was only on for 17 episodes. Next to Noah is George Clooney whose likeness could’ve been better. Anthony Edwards, Eriq La Salle, Sherry Stringfield, and Julianna Margulies round out the bunch.

Since moving to California, I have been to the Warner Bros. lot many times and visited the indoor set once with my cousin’s husband Dr. Scott Ries and daughter Grace. Even though I hadn’t followed the show in years, it was fun to see that make-believe set which looked VERY real. Scott was giddy – as a doctor himself, the visit must have held a little more significance. It was fun to see the actual room that inspired this piece so many years before.